Through video, performance, sculpture, and installation, Dave McKenzie’s diverse practice explores notions of public space and cultural exchange in relation to the private self. For his work While Supplies Last (2003) at the Sculpture Center, the artist wore a large head of his own likeness, becoming a caricature of himself | click here

Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience | click here

Perhaps best known for his live, unpredictable performances, John Bock blurs artistic convention, constructing a boundless world all his own. The artist often employs uncanny costumes, assemblages, and props that both reference and examine a range of social, political, philosophical, and aesthetic interests | click here

9 Scripts from a Nation at War is a multi-channel video installation that responds to conditions and questions that have arisen since March 2003, taking the U.S. context as an initial point of view. While 2003 marks the beginning of the invasion of Iraq by U.S. military forces, it is a conflict that reaches backwards and forwards in history and memory, as a "long war" that has few, if any, boundaries | click here

Tokyo-based architecture studio (Yoshiharu Tsukamoto and Momoyo Kaijima) explores the use and function of space within urban environments. As working architects in Tokyo, Atelier Bow-Wow developed the term “pet architecture,” a style of small, ad hoc, multi-functional structures that make the most of limited space | click here

The practices of Los Angeles-based graphic designers Ed Fella and Geoff McFetridge explore the tenuous relationship between visual art and independent graphic design in two very different generations | click here

Choi’s residency at REDCAT from 2007-2008 will culminate in a solo exhibition that will include works by invited artists and craftspeople alongside his own, challenging concepts of individual authorship and original works of art | click here

Perhaps best known for his site-specific wall paintings that feature satirical figurative imagery, decorative script, floating heads, and simple tags, Barry McGee presents a newly commissioned installation at REDCAT that draws upon the attitudes and processes of unsanctioned acts of expression | click here

Renata Lucas’s practice is a critical interpretation of how our built environment determines actions, behavior and social relationships, and by extension, society’s dependency on the preservation of prescribed definitions of space, property and order | click here

Internationally recognized for his work in experimental and narrative cinema such as Mysterious Object at Noon (2000), Blissfully Yours (2002), Tropical Malady (2004) and Syndromes and A Century (2006), Apichatpong Weerasethakul presents his first solo exhibition in the United States | click here

Eternal Flame brings together recent projects by six contemporary artists working in Bangkok, Ho Chi Minh City, Los Angeles, and New York. The exhibition elaborates on recent intellectual and artistic attempts to cope with commerce, society, and art | click here

For their first exhibitions in Los Angeles, artists Song Dong and Yin Xiuzhen will divide the Gallery at REDCAT and present two solo exhibitions: Restroom M: Song Dong and Restroom W: Yin Xiuzhen | click here

The artists will collaborate with contemporary British composer Thomas Ades who will be in residence at the LA Philharmonic and musicians at the historical home of 19th century Austrian composer Anton Bruchner | click here

Andrea Bowers has explored individual expression within society at large, including sports and rock fans as well as political activists.

Marseilles-based artist Mathieu Briand works in various installation forms with computers, electronic music, robots and video technology to explore systems of stimulation, play and perception.

The source material for this exhibition is the photographic archive of Mexican muralist David Alfaro Siqueiros who compiled thousands of images over the course of his own extraordinary life.

For this project, Damían Ortega will present The Beetle Trilogy as well as develop a new work that expands on his fascination with conceptual practice, social organization, and humor.

Kara Walker’s "historical" shadow dramas depict unseemly acts of sex, birth, dismemberment and play that accentuate the slippery separations between dominance and desire, fantasy and fear.

Kilgallen’s unique re-sourcing of sweetly familiar and non-hierarchical everyday places, markings and people was in large part inspired by the wandering culture of immigrants, railway workers and dreamers.

A five-year long project by James Baker, Anthony Hernandez, Karin Apollonia Müller, Allan Sekula and Billy Woodberry, Facing the Music investigates the urban fabric of downtown Los Angeles in the wake of the construction of the Walt Disney Concert Hall.

During a three-month residency in Los Angeles, Shinoda constructed a trailer based on an engawa, the traditional viewing platform that separates architecture, or the domestic space, from the garden, or enchanted space.

Both Gimhongsok and Sora Kim use art as a means of communication, creating non-hierarchical exchanges that serve to de-institutionalize space. Their work employs common elements from people and daily life organized in ways that create unexpected spaces and dialogue

Curated by Assistant Curator Clara Kim

White Noise considers disruptions and interferences on the visual, sonic and structural landscape. Artists in the exhibition capture easily overlooked or hidden elements in the everyday perceptive field.

Julie Mehretu's language of abstraction borrows from real and imagined geography, architecture, history, mapping and photojournalism to navigate the unstable terrain of what she has identified as "a narrative filled with urgency and optimism, like a strange dream."

For this installation, the Copenhagen-based artists collective activates REDCAT with the independent manufacture of the natural soda, GUARANÁ POWER and a daily cinema featuring models of self-organization.

Bounce: Mark Bradford and Glenn Kaino offers unique consideration of the social history of Los Angeles through the work of two emerging Los Angeles-based artists.

A survey of the career of the highly regarded artist, teacher and innovator, Emerson Woelffer: A Solo Flight is a memorable tribute to the Los Angeles-based Abstract Expressionist.