Blurring lines between confession and performance, concert and play, memory and creation, the Alpert Award winner braids two narrative threads: the final show of a ’70s-era cult-pop singer before her mysterious disappearance, and her daughter’s making of a documentary film, many years later, about the mother she never knew | Click here

An archaeological excursion into America’s cultural past, The Wooster Group’s highly experimental, multimedia incarnation of Hamlet channels the ghost of Richard Burton’s legendary 1964 Broadway version of the work—a production that was recorded from 17 camera angles, edited into a film, and screened for two days only at some 2000 cinemas across the country | Click here

Inspired by the delightfully unconventional Museum of Jurassic Technology, this alluring multimedia opera is the latest opus from Pamela Z -- the Alpert Award-winning electronic composer, singer and performance artist who has opened new horizons for vocal music | Click here

Houston-based performance artist Elia Arce uses a sweeping combination of theater, music, film/video and installation in a provocative exploration of how personal ethics and moral beliefs collide with the act of killing during wartime | Click here

The quarterly program for new performance works and works-in-progress has served as a creative laboratory for Los Angeles artists | Click here

A phantasmagorical evening with the actress, writer, performer and lead singer/lyricist of the cult band Bongwater, featuring music, monologues, video and surprises | Click here

An intoxicating crossmedia examination of life in the post-privacy era from The Builders Association, the experimental New York company that puts new technology to stunningly visceral use in live theater | Click here

The genre-bending annual fest from the CalArts Center for Experiments in Art, Information and Technology serves up three engrossing evenings of new experimental works in music, multimedia and sound art from around the world | Click here

This special event honors the winner of the first STAGE (Scientists, Technologists and Artists Generating Exploration) International Script Competition for the best new play about science and technology | Click here

Experience new works by emerging Los Angeles artists curated by William Flores and Lionel Popkin | Click here

Man and machine carry out a techno pas de deux as James Miller performs a series of delightfully inventive "short stories" for trombone and digital signal processor | Click here

The third installment of the quarterly program for new experimental performance works and works-in-progress | Click here

The Russian free jazz innovator and members of the CalArts Improvisation Ensemble weave together a series of new collaborative multimedia works developed using Stolyar’s unique “Improvising Orchestra” methodology | Click here

The three-week NOW Festival launches with a program of three works that are founded in movement, but varied in their approaches. Mason's Hip-hop moves and spoken word, Luyten and Alker's precise and poetic dance-theater, and a new music and dance collaboration from Tijuana-based Lux Boreal and Pedro Gabriel Beas of Nortec Collectivec | Click here

NOW Festival continues with two new works that employ technology, media and unique stagecraft: Heidi Duckler, "the queen of L.A. site-specific dance-performance" (Los Angeles Times), responds to REDCAT's performance space. The collaborative team of Lars Jan, Jane Pickett and Bureau V generate layers, both literal and psychological, in a work of operatic complexity, but without the singing | Click here

NOW's final program delves into the darkly evocative worlds of three decidedly different projects. Fjellestad's sonic abstractions are delicate compositions of noise. Kelly & David's mini-epic, three-act opera of cursed wanders warps American folk. And Iova-Koga's exquisite post-butoh performance stares deeply into the void that precedes birth | Click here